Gregory Stone has transcribed these three selected preludes for one piano-four hands. For much of his life George Gershwin sought to integrate the worlds of jazz and classical music. These pieces are not jazz improvisations but they do show something of the style of his own playing. Gershwin had intended to compose a set of twelve a sort of jazz Wohltemperierte Clavier but his unexpected death from a brain tumour at the age of 38 prevented this. At least seven survive (others may have ended up as songs) and this set of three as published form a satisfying unit. The first opens with a blue-note riff which forms the basis of the first theme.Contrasting material follows making use of a distinctive repeated note figure then the first idea reappears in a quasi-orchestral climax. The second prelude shows a curious kinship with Chopin???s A minor Prelude with its eerie accompaniment and hypnotic melody. The third exploits a similar major/minor ambivalence but dextrous syncopation gives it driving rhythmic energy.

The famous opera by George and Ira Gershwin from the novel 'Porgy' by DuBose Heyward. George and Ira Gershwin joined DuBose Heyward in Charleston to write the opera which had been germinating in George's imagination for several years. Porgy and Bess was George Gershwin's longest and most ambitious creation but it was not truly successful during his lifetime. Some of the songs had achieved popularity before Gershwin's death in 1937 but the work earned real approval and favor only after the 1940 Theater Guild presentation of a slightly revised version. For years it was performed more frequently in Europe where it was considered a true American opera. Arranged for viola andpiano by Alan Arnold.

2 copies required-A musical fantasy from the famous opera by George and Ira Gershwin based on the novel 'Porgy' by DuBose Heyward arranged for Two Pianos by Percy Grainger.George and Ira Gershwin joined DuBose Heyward in Charleston to write the opera which had been germinating in George's imagination for several years. Porgy and Bess was George Gershwin's longest and most ambitious creation but it was not truly successful during his lifetime. Some of the songs had achieved popularity before Gershwin's death in 1937 but the work earned real approval and favor only after the 1940 Theater Guild presentation of a slightly revised version. For years it was performed more frequently inEurope where it was considered a true American opera. N.B.Two Copies are required for performance.

A Selection of George Gershwin's seven major compositions for 2 pianos 4 hands. George Gershwin became part of the Tin Pan Alley music scene of the 20's 30's and 40's and made a name for himself in Broadway in the end-20s. A few years later George and Ira his elder brother decided to wrote together; to offer us great songs and themes.

For Saxophone Choir-There’s a Boat Dat’s Leavin’ Soon for New York/It Ain’t Necessarily So/Summertime/I Got Plenty o' Nuttin’ is a song from the American opera Porgy and Bess composed in 1935 by George Gershwin (1898-1937) to a libretto by DuBose Heyward and his brother Ira Gershwin after Heyward’s novel Porgy - a story about the love between the crippled negro beggar Porgy and the girl Bess in the city of Charleston in South Carolina. The première - not a huge success - took place on 10 October 1935 in New York.With his opera Gershwin wanted to gain recognition as a composer of classical music. Incidentally he demanded that all parts were sung by black performers; only a few unimportant parts without sung lyrics were allowed to be performed by white actors. This rule still applies: Gershwin has stated in the terms of his will that only black people were allowed stage the opera.Porgy & Bess has become popular only after Gershwin’s death. In 1959 a wonderful film was made; the soundtrack won a Grammy Award. The work is not very often performed possibly because of the difficulty of finding a whole cast of black opera singers. However various pieces from the opera are still regularly performed in numerous arrangements.

A joyous celebration of the most illustrious and duistinguished themes and pieces by George Gershwin! The Joy Of Gershwin contains 27 fantastic melodies and tunes all selected and arranged for Piano Solo by Gerald Martin.

According to Ira Gershwin ' Lullaby ' was probably originally intended as a piano solo as he was in possession of an unfinished fragment of it. However it only became publically familiar when it emerged as a string quartet which George Gershwin had written sometime between 1919 and 1920. We do not know exactly when Gershwin composed the preceding piano version of Lullaby but the theme subsequently appears in 1922 as the heroine's love song in his opera 'Blue Monday'. Until the present edition arranged By Alicia Zizzo there was no existing score for piano solo.

Préludes bien connus de George Gershwin pour piano solo sont disposés pour deux pianos, quatre mains dans cette transcription par Gregory Stone. Ces préludes montrent la maîtrise de la fusion des idiomes du jazz avec des formes de concerts de Gershwin. Préludes I et III sont très syncopés et remplies avec le jeu de bravoure, tandis que Prelude II est un morceau de blues lyrique avec un accompagnement ostinato. Deux exemplaires sont inclus. Tous les trois préludes sont la Fédération Festivals 2014-2016 sélections. / Piano 4 Mains Et Plus

The George Gershwin and Ira Gershwin song that appears in the Broadway show Crazy for You was also featured in My One And Only. This work is a super addition to any concert or you can add some choreography and use it as a showy feature number!

Modern Arrangements of Old Favourites-George Gershwin occupe une place particulière dans l?univers du jazz. Pour réaliser ce recueil Rik Elings a réunit onze des plus beaux joyaux du répertoire de Gershwin. Les arrangements sont originaux modernes et motivants.

Modern Arrangements of Old Favourites-George Gershwin occupe une place particulière dans l?univers du jazz. Pour réaliser ce recueil Rik Elings a réunit onze des plus beaux joyaux du répertoire de Gershwin. Les arrangements sont originaux modernes et motivants.

A dazzling collection of solos for Alto Sax and piano from songs by George Gershwin. This album plays tribute to Gershwin's unique melodic genius which gave us such gems as Embracable You and Summertime. These and other favourites are arranged here for Alto Saxophone with Piano accompaniment.

Le compositeur américain George Gershwin (1898-1937) a écrit la chanson I Got Rhythm énergique, avec des paroles de son frère Ira Gershwin, en 1930, pour la fille musicale Crazy. L'histoire de Crazy Girl se déroule dans le monde du théâtre des années 1930. Le Théâtre gaieté dans Deadrock, le Nevada, est pratiquement en faillite, mais le fils du riche banquier de l'enfant de Bobby tourne autour des choses. Sa passion pour le théâtre mène à l'amour les vicissitudes habituelles et les subtilités comiques - et un nouveau spectacle réussi.I Got Rhythm, désormais un standard de jazz, a été réalisée au cours des années par de nombreux artistes célèbres et moins célèbres. Le schéma d'accords est devenu si célèbre qu'il a été nommé changements de rythme, et est souvent utilisé par les musiciens de jazz. / 4 Saxophones / niveau : Elémentaire / Partition

For Clarinet Quartet-The American composer George Gershwin (1898-1937) wrote the energetic song I Got Rhythm with lyrics by his brother Ira Gershwin in 1930 for the musical Girl Crazy. The story of Girl Crazy takes place in the theatre world of the 1930s. The Gaiety Theater in Deadrock Nevada is practically bankrupt but the rich banker’s son Bobby Child turns things around. His passion for the theatre leads to the customary love vicissitudes and comical intricacies - and a new successful show. I Got Rhythm now a jazz standard has been performed over the years by numerous famous and not-so-famous artists. The chord scheme has become so well-known that it hasbeen named rhythm changes and is often used by jazz musicians.